I liked it better the second time around. Pynchon’s works
were too dense for my underdeveloped brain when I first started reading him in
my twenties. Like a badge of honor I made my way through this book, Vineland, V
and Gravity’s Rainbow back in the early 1990’s. I don’t remember much of any of
them and, admittedly, left them at the time a bit confused. If this reading is
any indication, I should revisit his others as well. Fun read and crafted with
a prose that is sharp and delicious. Conspiratorial, in both content and tone, set
against a backdrop of whacky California culture and an odd set of curious
characters that dance in and out of the protagonist’s life over a week’s period.
Ms. Oedipa Maas (don’t get me started on the funny names throughout, no doubt
some with hidden meaning I didn’t perseverate on, that include her husband
Mucho, her psychiatrist Dr. Hilarius, the dead lover whose estate she is
executing, Pierce Inverarity, Genghis Cohen, Mike Fallopian, you get the gist)
is the vehicle for a tightly woven paranoid’s dream. She cannot, nor can the
reader, discern the truth from an elaborate hoax. Lurking just beneath the
surface of our everyday life is a centuries’ old battle between two postal
distribution companies: the real European “Thurn and Taxis” (they did exist,
apparently and the Pynchonesque “Tristero” which appears in the guise of a
muted postal horn here, there and everywhere along with vague textual
references in an obscure play (as an aside, gave me the feel of a “play within
a play”) and subtly altered stamps (well, more like weird and deviantly altered
stamps…).There’s even an encounter with a group of inventors that are somehow
tied to an underground organization (the same Tristero organization?) who
purportedly invented a machine that harnesses “Maxwell’s Demon” to create a
perpetual motion machine (this “demon” was part of a thought experiment by
James Clerk Maxwell, one of the great minds in physics which I won’t get into
here but can be searched easily enough) that reminds me too vividly of that
subset of Americans who believe in things like this, along with government
conspiracies of all types (for starters suppressing new energy technology in
order to prop up the oil interests and car manufacturers, faking the moon
landing – for a nice rebuttal of this check out Phil Plait’s site “Bad
Astronomy,” sanctioning the World Trade Center disaster in 2011, controlling
the minds/sedating the public by spraying them with chemicals from jet
airplanes – aka “chemtrails”, water fluoridation and all associated evils, and
many others...). And the text is more than just this paranoid’s dream. It
crackles with beautiful writing: “Either way, they’ll call it paranoia. They.
Either you have stumbled indeed, without the aid of LSD or other indole
alkaloids, onto a secret richness and concealed density of dream; onto a
network by which X number of Americans are truly communicating whilst reserving
their lies, recitations of routine, arid betrayals of spiritual poverty, for
the official government delivery system; maybe even onto a real alternative to
the exitlessness, to the absence of surprise to life, that harrows the head of
everybody American you know, and you too, sweetie. Or you are hallucinating it.”
But the hoax, if this is a hoax, in The Crying of Lot 49, is woven so
tight that Ms. Maas has no escape. She has either uncovered this great
conspiracy or is descending into a paranoid’s madness. As readers, we are left
to wonder as well, but it is not our world to be stuck in and we are left to
reflect on our own propensity to search for conspiracy when there really is
none or, perhaps more deeply, to try to find meaning in a sometimes, otherwise,
meaningless world. Or, at the very least, try to avoid that “exitlessness” and “absence
of surprise” without falling victim to delusional fears.